We'll Start With The Riding Crop
Johnlock with traces of other Sherlock crack

You know why you're here.

(added 7/17/12)





tagged:

#omfg

blanketpie:

perlockholmes:

Ben no

do i laugh or do i cry


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tags:#omfg

casinmybutt:

221bleh:

Benedict Cassandrabatch
"Moisturise me, John."

NOOOOOOOOOOOOOOOOOOOOOO

casinmybutt:

221bleh:

Benedict Cassandrabatch

"Moisturise me, John."

NOOOOOOOOOOOOOOOOOOOOOO


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sher:

I FUCKING HATE YOU. 

sher:

I FUCKING HATE YOU. 


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tagged:

#I'M CRYING
#au

bennyslegs:

fucking hell my boyfriend offered to draw a bunch of popular sherlock AUs and they’re worse than my worst nightmares

click for bigger!

fawnlock, balletlock, potterlock (I DON’T THINK HE REALISED I MEANT HARRY POTTER), ramjohn, batjohn, merlock, and greaserlock

FSDIAGDI AGDGSGAGSDGS I CANT BERATH


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bow-ties-fezzes-and-stetsons:

gUYS IT GOT THE ATTRACTIVE EXTRA THIS THING IS A GENIUS

bow-ties-fezzes-and-stetsons:

gUYS IT GOT THE ATTRACTIVE EXTRA THIS THING IS A GENIUS


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tagged:

#au

crowleyisyourking:

Grow old with me, The best is yet to be.

 


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tags:#au

lordofthejohnlock:

lordofthejohnlock:

#032 - The morning after.

I thought this would get more notes, I am mildly upset.


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bakerstreetbabes:

somebodysbutt:

the unofficial poster for series 3

#accurate

bakerstreetbabes:

somebodysbutt:

the unofficial poster for series 3

#accurate


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tagged:

#moriarty
#meta
dynamics-of-an-asteroid:

tothesyllable:


prose-and-melodrama:


If you didn’t know who he is you’d think he’s a sad, depressed, lonely man sitting on a  rooftop.  


that’s exactly what he is, especially when you know who he is:


“I wanted to show little glimpses of Moriarty’s vulnerability…you got to see that towards the very end, when we realize he’s going to kill himself. He’s a very desolate, very lonely, very unhappy person.” (x)




I feel like that’s the result of Andrew playing one of the most infamous antagonists of all time, because everyone is looking to him for ‘the bad guy stuff’, as they should. Andrew delivered that immaculately - BUT!! He also slipped in softer moments that still remain true to Moriarty’s original chameleon persona. Yes, he’s funny, and playful, and seven levels of naughty, but he’s ALSO lonely, and miserable, and as empty as can be behind it all. You’re dealing with one of his multiple masks, or voices, or roles at any given time. He is all of these things simultaneously, not individually. Excluding any of them robs him a little of the unique complexity that’s been eating away at him all his life in the first place.
You can’t be that intelligent and, therefore, that bored by everything the world has to offer without it taking a toll on you, especially when your pool of peers who relates to this burden is already small. Add in an insatiable desire for a distraction from it all that reaches levels beyond ‘dangerous’, and an interest range that only responds to all that is bizarre and clever and strange in this world, his options for people who could possibly understand him in his entirety was limited to one other individual, which is a pretty sad, depressing, and lonely situation in and of itself (especially since it took over twenty years for a confirmation from that one person who, for a minute there, almost proved himself to not be that equal party he’s been hoping for). This doesn’t take away from Moriarty’s antagonistic side in the story line, or anything ‘villainous’ he did on our screens. It only enhances it and, in his particular case, fueled it.

dynamics-of-an-asteroid:

tothesyllable:

prose-and-melodrama:

If you didn’t know who he is you’d think he’s a sad, depressed, lonely man sitting on a  rooftop.  

that’s exactly what he is, especially when you know who he is:

“I wanted to show little glimpses of Moriarty’s vulnerability…you got to see that towards the very end, when we realize he’s going to kill himself. He’s a very desolate, very lonely, very unhappy person.” (x)

I feel like that’s the result of Andrew playing one of the most infamous antagonists of all time, because everyone is looking to him for ‘the bad guy stuff’, as they should. Andrew delivered that immaculately - BUT!! He also slipped in softer moments that still remain true to Moriarty’s original chameleon persona. Yes, he’s funny, and playful, and seven levels of naughty, but he’s ALSO lonely, and miserable, and as empty as can be behind it all. You’re dealing with one of his multiple masks, or voices, or roles at any given time. He is all of these things simultaneously, not individually. Excluding any of them robs him a little of the unique complexity that’s been eating away at him all his life in the first place.

You can’t be that intelligent and, therefore, that bored by everything the world has to offer without it taking a toll on you, especially when your pool of peers who relates to this burden is already small. Add in an insatiable desire for a distraction from it all that reaches levels beyond ‘dangerous’, and an interest range that only responds to all that is bizarre and clever and strange in this world, his options for people who could possibly understand him in his entirety was limited to one other individual, which is a pretty sad, depressing, and lonely situation in and of itself (especially since it took over twenty years for a confirmation from that one person who, for a minute there, almost proved himself to not be that equal party he’s been hoping for). This doesn’t take away from Moriarty’s antagonistic side in the story line, or anything ‘villainous’ he did on our screens. It only enhances it and, in his particular case, fueled it.


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tagged:

#moriarty

ilovemyskull:

apoliceboxandadeerstalker:

LITERALLY JUST SPAT OUT MY FUCKING SOUP

image

You know what though

Jim’s little diguises - Rich Brook and Jim from IT - have one thing in common:
They’re both total sweethearts.
They both have a gentle demeanor and seem to care about the women they’re fooling. They’re both anxious around Sherlock. They’re both inoffensive and fuckingadorableohmygod.
They both have a heart.
No one is that good of an actor. The one thing you can’t fake is a heart.
If he was heartless, Molly would be dead. She saw Jim’s face, she was a liability. Why didn’t he kill her? He’d heard all Molly’s stories, he knew she was important to Sherlock, if only a little, so why didn’t he kill her? Why didn’t he threaten her with the gunmen during Reichenbach?
I’ll tell you why. Because Molly is lovely and he cared about her. He purposely excluded her from the threat because he didn’t want to hurt her.
Even during their first meeting at the pool, Jim showed an unusual lack of self restraint “THAT’S WHAT PEOPLE DO!”. His face wasn’t blank, it wasn’t a pokerface like Sherlock’s. He was expressive. He was emotive. He was human.
Jim has a heart.
I think that on the roof during Reichenbach, Sherlock realised this.
He realised that Jim wasn’t acting.
He realised what Jim really wanted: to not be alone; to find someone just like himself; to find  someone not-ordinary. Most of all, he wanted that person to be Sherlock.
Sherlock saw the level of frustration and disappointment and, let’s be honest, sadness on Jim’s face when he thought Sherlock was stupid and ordinary, and when he thought Sherlock would jump to save his friends.
That’s how he beat Jim.
The way he asserts himself on Jim, moving right up into his personal space. Think about it. He never does that. He’s attacked people, usually in self defence, but never anything quite so personal, quite so intimidating.
He’s risking John’s life by doing this. He’s risking the lives of all his friends and he doesn’t care. In those moments, Jim is his primary focus. 

But then, listen to his voice, listen to the things he is saying.
Ordinary people have hurt Jim, there’s no doubt about that.
Sherlock is telling Jim that he isn’t ‘one of them’. He isn’t ordinary.
Sherlock isn’t being cruel, he’s being gentle.

We’re just alike, you and I.

And they are just alike, apart from that one little thing that they don’t have in common:

Sherlock is the good guy who doesn’t have a heart, and it’s his biggest weakness.
Jim is the bad guy who does have a heart, and it’s his greatest tragedy.


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tags:#moriarty

astudyinsherlockandjohn:

barachiki:

barachiki:

Molly was just concerned that Sherlock didn’t have time for a rave in the middle of the case…

#Molly normally loved the phat beats that Sherlock threw down #But there WERE kidnapped children to be concerned #And she would be happy to listen to his new loops when the kids are found. #Sherlock thought she was being silly #Samples were in the centrifuge #He easily had the time to scratch a few records before they were ready

o m g

astudyinsherlockandjohn:

barachiki:

barachiki:

Molly was just concerned that Sherlock didn’t have time for a rave in the middle of the case…

#Molly normally loved the phat beats that Sherlock threw down #But there WERE kidnapped children to be concerned #And she would be happy to listen to his new loops when the kids are found. #Sherlock thought she was being silly #Samples were in the centrifuge #He easily had the time to scratch a few records before they were ready

o m g


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sakibatch:

bluebellglowinginthedark:

Who is playing with the torch?

Right.


IM FUCKING CHOKING

sakibatch:

bluebellglowinginthedark:

Who is playing with the torch?

image

Right.

image

IM FUCKING CHOKING


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lebensneid:

catchabatch asked you:

REQUEST: Alright, could you draw John and Sherlock cuddling in bed? 


me: Yaay, fluff and warm feelings for Sherlock fandom :)

lebensneid:

REQUEST: Alright, could you draw John and Sherlock cuddling in bed? 

me: Yaay, fluff and warm feelings for Sherlock fandom :)

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thescienceofjohnlock:

cocokat:

Very boring up here. 
No crimes in Heaven, apparently.
SH
—-
Met an angel called Castiel.
Was looking for a human body.
SH
—-
Have I told you about the Winchesters?
SH
—-
I miss you and your complaining horribly
SH
—-
Met Einstein! Was appalled at how little I knew about space.
SH
—-
John, your mother and father say ‘hello’.
SH
—-
I wish I could talk to you
SH
—-
God won’t let me visit Hell. 
But I’m bored. There are bound to be murders there!
SH
—-
If you end up here anytime soon I may have to kill you
SH
—-
Still missing you horribly
SH
—-
Was told you got married. “Mary Morstran”.
A woman even I might admire. Good Job.
SH
—-
People keep finding me here. Say that I solved the crimes surrounding their deaths.
Keep thanking me.
Somewhat annoying.
SH
—-
Really, John? You named your son “Sherlock”?
Someone is getting too sentimental.
I’m touched.
SH
—-
Met Mycroft. I’m not surprised he’s here a bit early.
Still as annoying as ever.
I miss when you used to punch him for me.
SH
—-
You’ve become so good at writing.
I miss you.
SH
—-
There are so many things I should have said.
Down There.
SH
—-
Sorry
SH
—-
I miss you
SH
—-
I love you.
SH
—-
Won’t you hurry up?
SH
—-
Don’t come too quickly, though.
SH
—-
Met with Mummy.
She cried. I don’t understand it.
SH
—-
I love you
SH
—-
Being an old man doesn’t suit you. 
You’re done fighting, John.
Come home.
SH
—-
Stubborn to the last, my John.
SH
—-
I love you anyway.
SH
—-
“Welcome home.”

That’s ok I didn’t need my heart.

thescienceofjohnlock:

cocokat:

Very boring up here. 

No crimes in Heaven, apparently.

SH

—-

Met an angel called Castiel.

Was looking for a human body.

SH

—-

Have I told you about the Winchesters?

SH

—-

I miss you and your complaining horribly

SH

—-

Met Einstein! Was appalled at how little I knew about space.

SH

—-

John, your mother and father say ‘hello’.

SH

—-

I wish I could talk to you

SH

—-

God won’t let me visit Hell. 

But I’m bored. There are bound to be murders there!

SH

—-

If you end up here anytime soon I may have to kill you

SH

—-

Still missing you horribly

SH

—-

Was told you got married. “Mary Morstran”.

A woman even I might admire. Good Job.

SH

—-

People keep finding me here. Say that I solved the crimes surrounding their deaths.

Keep thanking me.

Somewhat annoying.

SH

—-

Really, John? You named your son “Sherlock”?

Someone is getting too sentimental.

I’m touched.

SH

—-

Met Mycroft. I’m not surprised he’s here a bit early.

Still as annoying as ever.

I miss when you used to punch him for me.

SH

—-

You’ve become so good at writing.

I miss you.

SH

—-

There are so many things I should have said.

Down There.

SH

—-

Sorry

SH

—-

I miss you

SH

—-

I love you.

SH

—-

Won’t you hurry up?

SH

—-

Don’t come too quickly, though.

SH

—-

Met with Mummy.

She cried. I don’t understand it.

SH

—-

I love you

SH

—-

Being an old man doesn’t suit you. 

You’re done fighting, John.

Come home.

SH

—-

Stubborn to the last, my John.

SH

—-

I love you anyway.

SH

—-

“Welcome home.”

That’s ok I didn’t need my heart.


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